The MA focuses on three areas:
- The challenges and evolving strategies of historiography.
- The development of theoretical and philosophical approaches in the light of changing human conditions.
- The nature and breadth of contemporary performance practices, with special emphasis on C21-characteristics and developments.
The MA includes sessions by international experts (scholars and/or practitioners), as well as scope for practical research, tailor-made to the students’ interests.
This programme is delivered through lectures, tutor-led and student-led seminar sessions, including workshop sessions on dedicated topics, artists or selected performances, small group discussions and presentations, and specialist masterclasses with invited visiting scholars and/or performance professionals. You will attend research lectures, seminars, and workshops offered by the Department of Theatre Studies, School of Performing Arts and the Faculty of Arts. Assessment will be through a variety of largely written coursework, ranging from essays, performance reviews, analysis, research portfolios, and reports.
The MA surveys, analyses, and rethinks the study of theatre and performance in the reconfigured (postmodernised, mediatised, and globalised) spaces of the twenty-first century. It focuses on studies and perspectives that are mainly emergent in the new century, but with links and applications that are also related and relevant to other historical periods in the field.
The MA focuses on three principal areas:
- The challenges and evolving strategies of historiography – accordingly, it analyses perspectives of looking both at the way performance is understood and the innovative possibilities in which history is written in the C21. For example, the exploration of aesthetic and interpretative approaches from many cultures, continents, and time periods as an alternative to the standard format of time-restricted or subject-specific theatre history texts.
- The development of theoretical and philosophical approaches in the light of changing human conditions – accordingly, it considers a range of emergent and/or evolving perspectives such as critical posthumanism, postphenomenology, technoscience studies, sociomaterial theories, and cognitive science. The implications for, application to, and impact on theatre and performance, both contemporary and historical, is explored.
- The nature and breadth of contemporary performance practices, with special emphasis on C21- characteristics and developments – accordingly, it examines the incorporation of innovative technology, processes, and other elements as they pertain not only to the aesthetics, medium, and location of performance, but also to compositional strategies, including the technical preparation (training) of performers/technicians/participants. The MA will consider cutting-edge work as well as the appropriation of elements of the same in mainstream performance. Reference to historical processes and aspects which were innovative in their time will also be made.
The MA includes sessions by international experts (scholars and/or practitioners), as well as scope for practical research, tailor-made to your interests.
This programme is delivered through a combination of lectures, tutor-led and student-led seminar sessions, including workshop sessions on dedicated topics, artists or selected performances, small group discussions and presentations, and specialist masterclasses with invited visiting scholars and/or performance professionals. There will be approximately two theatre or site-specific visits per semester (or equivalent for part-time) as a compulsory component of the teaching schedule, subject to the availability of leading theatre and performance artists in Malta (UoM, Manoel Theatre, St James Cavalier, Mediterranean Conference Centre, elsewhere).
Additionally, you will have the opportunity to attend research lectures, seminars, and workshops offered by the Department of Theatre Studies, as well as those offered by the School of Performing Arts and the Faculty of Arts. Beyond the curriculum, you will also be able to engage with the additional training and other opportunities to acquire generic skills offered by the University. This includes the opportunity to expand or develop new language skills in foreign languages, as well as IT skills.
Assessment will be through a variety of largely written coursework, which typically takes the form of essays, performance reviews and analysis, research portfolios and reports, but may also include pragmatic writing such as applications for postgraduate funding. The assessment formats build up towards the culminating final dissertation, while also inviting the initial exploration of ideas for a potential future PhD project.
  | |||||
Semester 1 | |||||
  | |||||
Compulsory Units (All students must register for this/these unit/s) | |||||
  | |||||
PFA5002 | Researching Performance | 10 ECTS   |   | ||
THS5050 | Performing Histories: C21 Perspectives | 10 ECTS   |   | ||
  | |||||
  | |||||
Semester 2 | |||||
  | |||||
Compulsory Units (All students must register for this/these unit/s) | |||||
  | |||||
THS5052 | Performance Practices in the C21 | 10 ECTS   |   | ||
  |
  | |||||
Year   (This/these unit/s start/s in Semester 1 and continue/s in Semester 2) | |||||
  | |||||
Compulsory Units (All students must register for this/these unit/s) | |||||
  | |||||
THS5054 | Directed Research Project | 10 ECTS   |   | ||
  | |||||
  | |||||
Semester 1 | |||||
  | |||||
Compulsory Units (All students must register for this/these unit/s) | |||||
  | |||||
THS5051 | Theories for Performance: C21 Critiques | 10 ECTS   |   | ||
  | |||||
  | |||||
Semester 2 | |||||
  | |||||
Compulsory Units (All students must register for this/these unit/s) | |||||
  | |||||
THS5053 | Specialised Studies in Theatre and Performance | 10 ECTS   |   | ||
  | |||||
  | |||||
Summer Semester | |||||
  | |||||
Compulsory Units (All students must register for this/these unit/s) | |||||
  | |||||
THS5055 | Dissertation | 30 ECTS   |   | ||
  |
This programme of study is governed by the General Regulations for University Postgraduate Awards, 2021 and by the Bye-Laws for the Degree of Master of Arts - M.A. - under the auspices of the School of Performing Arts.